The only other thing I changed was the knee to 80%. On the camera I just have Pro for the color mode, and Cine4 for gamma. "Use Timeline" works for me, I tried other settings and I don't think they're right, to be honest I don't know how to use that part, but "use timeline" works well. In the past, the sony lens line up was kind of paltry, but there are a lot more lenses available today. They start at about $900 and go up to about $1,450 for the Sigma f/1.4 lenses.Īnd of course, there is the Simga MC-11 adapter which allows you to mount Canon lenses on to Sony cameras. There are f/1.8 primes if you need big apertures, and then Sigma makes many f/1.4 lenses as well for Sony, although they are more expensive. So you get more focal length (24mm vs 28mm, 105mm vs 75mm) but at the cost of a stop of light. A lot of other people like the 24-105 f/4 but then it is a stop slower. While you might want the 70-200 f/2.8 G Master for sports, you might want a 40-year-old manual lens for "cinematic looks," since for some people the words Cinematic mean things like, "lower contrast" or "swirly bokeh" or "soft flare."Ī lot of people like the Tamron 28-75 f/2.8 lens and at $900 it is relatively affordable for a fast normal zoom, plus it is relatively light. My experience is that getting white balance correct in camera at the time of shooting is crucial.ġ) There are a ton of REALLY good lenses out there at all sorts of price points. A couple of people who know what they are talking about on here have suggested using s-gamut3.cine color with SLOG 2 gamma. A lot of people like HLG 3 with BT2020 color space for scenes with more dynamic range, but SLOG 2 has more dynamic range. EOSHD pro color is one option, or there are tons of other custom picture profiles all over the web.įor scenes that are darker and not too much dynamic range, Cine 2 is a nice picture profile. Black Magic Design has a very helpful user forum for resolve, as does lift gamma gain.Īs for color, it gets pretty subjective. any good suggestions to get great color with little post production? I don’t have much experience with NLE software.Ģ: Resolve is free, and while it is not easy, there are a ton of tutorials out there. what lenses would be good to start that cover much of the above needs?Ģ. Video - the same but also narrative cinematic looks with documentary interviews and b-roll.ġ. Mostly shooting poorly lit indoor track and field as well as family portraits and street images. Most likely leaving the XT2 for the FF a7 III.
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